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Born in 1971 in Leningrad USSR, Peter Belyi graduated in 1989 from the Secondary Art School of the Academy of Arts, and studied ceramics at Mukhin Academy of Applied Art from 1990 to 1992. He lived in London from 1995 to 2001 and graduated from Camberwell College in 2000 with an MA in Printmaking. He lives and works in St Petersburg, Russia mainly in printmaking, objects and installations. He teaches at the Smolnyi Institute in St Petersburg. He is a member of the Russian Union of Artists and the Royal Society of Painter-Printmakers.
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SOLO EXHIBITIONS
2008 - La biblioteca di Pinocchio. Galleria Pack, Milan, Italy
2007 - Unnecessary Alphabet. Anna Frants Gallery Space, New York
Danger Zone. Daneyal Mahmood Gallery, NewYork Memorial Model-making. Gisich Gallery, St Petersburg, Russia
Minute of Silence. Navicula Artis, St Petersburg, Russia
Lenproekt. State Hermitage Museum, St Petersburg, Russia
2006 - Unnecessary Alphabet. Belka& Strelka, St Petersburg, Russia
KRUG2. Gisich Gallery, St Petersburg, Russia
Climactic Zone. Navicula Artis, St Petersburg, Russia
2005 - SH854. M. Guelman Gallery, Moscow
Privatisation of the Chimneystack. New Realms Gallery, London
2004 - Metaphorical Slide Tower. Pinacoteca Udine City Museum, Udine, Italy
2000 - Head of the Artist. Gisich Gallery, St Petersburg, Russia
2003 - Dreams of a Concierge. Navicula Artis, St Petersburg, Russia
2002 - Invasion. Extra, St Petersburg, Russia
Superprints. Che, St Petersburg, Russia
2001 - City Heights. Gallery 27, Cork Street, London
1998 - Peter`s Fountains. The Blythe Gallery, Manchester
1995 - Exhibition Hall of Odense University, Odense, Denmark
1994 - Eleven Portraits of Prince Charles. Institute of Contemporary Arts, St Petersburg
GROUP EXHIBITIONS
2008 - Russian Povera. Project by Sergey Gordeev. Curator - Marat Guelman. Rechnoi Vokzal,Perm
2007 - Celestial Mechanics. Pulkovo Observatory, St Petersburg, Russia
Something About Power. 2nd Moscow Biennale, L Gallery, Moscow, Russia
Border Territory. MARS Gallery, 2nd Moscow Biennale, Moscow, Russia
Architecture Ad Marginum. State Russian Museum, St Petersburg, Russia
2006 - Modus R. Art Basel Miami Beach, Miami
2005 - My Neighbourhood. Russia 2, M. Guelman Gallery in the frames of 1 Moscow Biennale of contemporary Arts, Moscow
White Project. M. Guelman Gallery, Art Moscow
Post Modellismus. Krinzinger Progekte, Vienna
Collage in Russia. State Russian Museum, St Petersburg, Russia
2004 - Royal Academy Summer Exhibition. Royal Academy, London Art Moscow, Central Hall of Artists, Moscow
2003 - Dream of the Dictator. Art Manezh, Manezh, Moscow Lorgues Print Festival. Lorgues, France
Dream of Triton. Anna Akhmatova Museum, St Petersburg
Royal Academy Summer Exhibition. Royal Academy, London
National Print Exhibition. The Mall Galleries, London
2002 - Discerning Eye. The Mall Galleries, London
Royal Academy Summer Exhibition. Royal Academy, London
Art Futures 2002. Contemporary Art Society, London
National Print Exhibition. The Mall Galleries, London
2001 - Discerning Eye. The Mall Galleries, London
Royal Academy Summer Exhibition. Royal Academy, London
National Print Exhibition. The Mall Galleries, London
5th Open Print Exhibition. Royal West of England Academy, Bristol
2000 - National Print Exhibition. The Mall Galleries, London (publicity materials)
1999 - Discerning Eye. The Mall Galleries, London
National Print Exhibition. The Mall Galleries, London
Rouble Art. Alchemy Gallery, London
The End of Style. City Museum, St Petersburg
200 Years of Lithography. Russian State Museum, St Petersburg
1997 - Paper Theatre III. Bookcamera or The Book & The Elements, St Petersburg
1996 - National Print Exhibition. The Mall Galleries, London
1992-1994 - Time of Transition. Travelling exhibition in England and Wales
1992-1993 - Bristol City Museum, Bristol
1991 - Exhibition Hall of Artist`s Union, St Petersburg
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- One of the deepest and subtlest of the St. Petersburg artists, Peter Bely concertedly explores the archaeology of cultural consciousness. For many years, he has been developing a project of "memorial modeling," in which he affirms culture as a current event outside of contemporaneity and contemporaneity as a future cultural layer for which trash is important.
The artist builds into our everyday reality a dimension of great responsibility - something akin to a fatedness to history. The artist`s statement coincides with the materiality of the works, so that his installations do not have protagonists. Each of his works is a way of approaching fatedness in its broader sense, as an immaculate embodiment of history in thousands of private lives.
Alexander Evangely
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